Tag Archives: playing card oracles

CURRENT ORACLE FORECAST – Mid October-Mid Nov 2012


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“The cards used for the current “Oracle Speak” were the 5 of Spades, the 8 of Hearts, the King of Hearts and the 7 of Spades from the soon to be published Oracle Deck, “The Book of Knowing.”.

The Oracles that Ana uses are based on the 52-card deck and the one-of-a-kind images that her Father, CJ Freeman, designed to go with them. The 52-card deck is a natural calendar, based on the rhythms of the moon and Ana uses the layouts designed specifically for this feature of the deck as outlined in her original book, The Playing Card Oracles.

Thank you for listening and please share “Oracle Speak” with your spiritual family. <3

ORACLE INSOMNIA

Well, here it is, 11:44 p.m. I am NEVER up this late. Come on! I’m a nine o’clocker for sure! But this deck thing has me….. in an unusual state.

In case you haven’t heard, the new Oracle deck from my dad, CJ Freeman, (called “The Book of Knowing”) is due to be launched soon. It was going to be a week ago, then before that, a couple of weeks. Truth is, this thing is 35 years over due.

Putting this deck together has catapulted me on a personal journey I was not expecting. Sure, I knew it would be work, but the process of getting this deck out of the shadows has not only close to swallowed me whole, but demanded a tremendous amount of personal distilment and rigor. It is really a wonder I can pull this off, although I’m crossing my fingers since all is still underway.

But this whole “thing” is really more than all this. It is also the fulfillment a dream that almost didn’t make it. That really DIDN’T make it, at least in my Father’s life time. Although my dad did see some success with the publication of the images of The Playing Card Oracles, this work here – these original oils for “The Book of Knowing”- were truly his masterpiece.

He asked me in confidence shortly before his passing in 2010, “Should I just get rid of the paintings?” We all knew which paintings “the” paintings referred to.  Believe it or not, I actually considered my response. After all, my dad had been lugging these 54 large paintings around for 35 years, wondering WHY. As in why had he felt so compelled to put all the energy, all the life, all the originality and BRILLIANCE into this work simply to watch it ROT in storage? An entire KINGDOM (four kingdoms actually: Diamonds, Hearts, Clubs, and Spades!) poised for duty in the garage. Great!!!

Quite possibly all of the intensity I am experiencing around getting these images published is really just a small taste of the intensity my dad originally put into creating them. And all of this is likewise parallel with the force contained within this deck, and what the images will provide for those who use it. Buyer beware!! This deck is evocative. It is a shovel that will dig at the depths of you.

My father in his younger years was a comet of energy: full of turmoil, vibrancy, and a rebellious spirit that kept him constantly questioning things other people took for granted. He was somehow calibrated to a very unusual “frequency” that kept those around him scratching their heads. His private work on oracle images for the playing cards and the stories he wrote for them were perhaps his greatest expression for what he could not communicate in regular language.  He was obsessed with the world that was being created through him. Actually, it wasn’t a singular world, but multiple worlds existing in layers side-by-side and how to travel between them.  And the template for this meditation that lasted a life time was the very unsuspecting pack of regular playing cards.

For my dad, the longer he looked at regular dumb old cards, the more he saw, and the more he saw, the more fascinated he became. From his way of looking at it, the 52-cards represented the aforementioned worlds consisting of layers of density along with complex yet graceful hierarchy, all set within a perfect model of time and space. Not only that (!) but the whole thing had MOBILITY, meaning that it could all be shuffled, re-arranged to become the ultimate story – or reality – telling machine. And he gave this vision to me, and together now he and I afford this same vision to thousands of others who read our book (The Playing Card Oracles) and/or come in contact with his cards.

And now I am getting a new vision: a world with regular old playing cards spread out all over it. Imagine that. And somehow, there is a bit of a glow around all these cards, a glow that is somehow brighter than before my dad and his visions of worlds in layers. And now I see thousands of people picking up those cards, and quite possibly catching a glimpse of something extraordinary.

For more info on this deck, go to www.thebookofknowing.com.  Look for ordering information soon and please share with anyone you feel would be interested. Thank you.

Oracle Art wowee zowee

Copyright C.J. Freeman

For me, there is nothing that stands up to my dad’s own Oracle art * – especially his original oil paintings. Seeing them in person, life-sized as they are, is just wowee zowee. There are these amazing little neon gem tones that just pop in the light, and the brushwork, expressions, compositions –  I could go on and on. Well not to mention they are super creepy in an other-worldly sort of way which is just a big intoxicant for me. This is, in my opinion, how good Oracle artwork should be.

So me, my daughter and son all made the trek over to the storage locker today, to archive the originals that remain. They were painted in the 70′s, so this something LONG overdue. My dad died about two years ago, and as keeper of the creepers, I have vowed to get this deck of 52 published. There still remain scattered photographs of paintings that have gone by the wayside, so with a little organization and luck, I think I can pull together the entirety.

Anyway, it was a great day, especially sharing it all with my son and daughter, who are just totally blown away by their Grandpa’s work.

Soon you will be able to pre-order this new deck!! Stay tuned for upcoming info!!!

* C.J. Freeman, illustrator of The Playing Card Oracles, published by U.S. Games Systems, Inc.  All artwork, copyright C.J. Freeman

 

Psychology, Numerology, and the 52 Cards

Traditional numerology outlines the numbers one through nine and then interprets more complex numbers as conglomerates of the original nine. This is all well and good. It works. But when speaking of numbers in terms of psychology, much more is possible, and strangely enough, the 52-card deck provides a model for combining psychology and numerology. This is another facet of playing cards that makes them so well “suited” for divination and personal insight.

For the sake of our discussion, let’s loop in one more metaphysical science – astrology. One reason that astrology works so well in defining and illuminating the personality is that it uses the fundamental archetypes of the natural world – fire, earth, air and water. Each astrological sign exemplifies a unique aspect of one of these elements. For example, Aries, Leo and Sagitarius all are “fire signs” and Aries is considered “cardinal” fire, Leo is “fixed” fire, and Sagitarius is “mutable” fire. This fundamental orientation defines each astrological sign, and in turn the planets that appear within them.

 

“So why do these two giants of age-old metaphsycial

psychology have to live separate? And what

would happen if numerology and astrology had a baby?”

 

So why do these two giants of age-old metaphsycial psychology have to live separate? And what would happen if numerology and astrology had a baby? Indeed, as we advance toward more inclusive and holistic points of view, why not create a lens that somehow merges the essential components of both these models for reality? What if this lens already exists, but we simply did not see it?

Copyright Ana Cortez

It would be tough to deny that there is some kind of numerology going on within a 52-card deck, and equally difficult to deny the presence of the four elements. The deck is divided perfectly by four and these natural quadrants represent the four natural kingdoms of the world – the four directions, the four seasons, the four elements, and on and on.This I have outlined in length in my book, The Playing Card Oracles, as well as in various other blog articles and in a few of my youtube videos.

Four was also a master number to the Mayan, who divided their world into 4, naming 4 Gods that were the “4 Bearers of the World.” This is very much in line with old school alchemy that divided all things into one of four elements and combinations thereof. Such things as a person’s temperament, tastes perceived by the mouth, the elements of nature, not to mention the sciences of astrology and geomancy all were perceived through the foundation of the 4 elements.

And so, when looking at a traditional 52-card deck, what do we find? Each number within the deck repeats itself 4 times, once within each element (or suit). THAT MEANS that the number one, for example (which is pictured as an Ace) appears in all its’ glory once within each of the 4 elements. This means that a dfferent and unique aspect of that number will come forward depending on which suit it is in. In my opinion, the significance of this cannot be over stated. This revolutionizes current concepts of numerology.

So let’s look at a couple of examples. What aspect, for instance, of the number one comes into focus as it appears in the element of Fire, the Diamond suit?? One is already could be considered a “selfish” number, but within the suit of Fire, we would see this aspect come to the fore. We would witness a strong and “showy” sense of self, overt determination, etc….  decidedly reminiscent of certain characteristics found within the Fire signs of astrology.

For comparison sake, how about the Ace as it appears in Clubs, for example, in the suit of Air? This would be a more subtle manifestation of the number one, something hidden to the outside world but very much defining this person’s individuality. This could be more like a wish or a dream existing within the person.

You get the idea?

“This means that a dfferent and unique aspect

of that number will come forward depending

on which suit it is in.  In my opinion,

the significance of this cannot be over stated.

This revolutionizes current concepts of numerology.”

 

So now, when we talk about the numbers one through nine of traditional numerology we have an expanded template. Each number manifests four different ways, offering a total of 36 specific facets of expression, all existing within the original 9 archetypes. In addition to this, many times I find when a person has a predominance in their reading toward one or another suit it very much correspondences to the element of either their natal sun or moon sign. I have no doubt more would be revealed by comparing the card layout to more complete astrology charts.

 

But let us not overlook perhaps the greatest jewel the 52-card deck has to offer us in terms of expanding metaphysical models. What about the Court cards? And what about cards of the number 10? How do these fit in?

First it must be understood that it is entirely possible and actually probable that cards of the number 10 were originally Court cards. Although the deck we have today appears largely unchanged from centuries ago, early documentation points to a significant difference. In the 1300′s, a German Monk wrote a lengthy treatise about the evils of playing cards and in doing so contributed greatly to historical knowledge of the early playing deck. This monk, Johannes of Basel, went to great lengths to describe the 52-card deck then in existence, as if aware of the future historical destiny of his writing! He describes 4 suits, each of 13 cards, with a King and his attendant and a Queen and her attendant. Clearly, this is what we now refer to as the “King” and his subordinate “Jack,” and the “Queen” and ….? Where is the Queen’s attendant? If we add another card to the Court we get 14 cards in a suit, and Johannes clearly tells us there are 13 cards in a suit. So where did this lady disappear to?

According to this research granted us by my father, card historian and illustrator C.J. Freeman, it only makes sense that at some point in history the hand-maiden to the Queen was stripped of her rank within the Court and relegated to a number card. If we restore the 10 to a “Lady,” we now have all four members of the Court within the original 13-card suit. This also fits nicely with standard numerological principles which would have been well known at the time the deck was created.  To group a 10 with the nine numerological root numbers would have been a bombastic faux pas within a deck that is otherwise an exemplary representation of metaphysical harmonics.

 

Having 4 Court cards to me elicits a deep sigh of relief. It feels right. How can you operate with a mechanism so obviously lopsided between male and female? 4 feels perfect. There are 2 older Court figures, one male and one female, and two younger Court figures, male and female, each appearing within each of the 4 suits. This is balanced and now has a greater potential for divination in that you have both male and female represented in both youth and old age (often “soul age”). How could it be otherwise? And even if one questions the historical citations and deductions, one must concede it works – and it is beautiful.

Now, one last note on the numberology. The Mayans had 13 “number gods” that repeated themselves to create larger cycles. The Mayan year was 13 months, just like a natural lunar year. Nature herself dances to rhythms of the number 13, and so I, as well, happily yield to a framework of 13 in regard to a broadening view of numerology. The 52-card deck provides this while staying loyal to the significance of the original numbers one through nine of numerology.

In using the 52-card deck for divination, the numbers (or cards) one through nine represent the experiences of a person, and the Courts represent the people (or the “Gods”) who have these experiences. And on it goes. I could go on forever, which I frequently attempt.

Suffice it to say, all of this is incorporated into the card reading principles, methods, and illustrations detailed in the book, The Playing Card Oracles.

2012 Oracle Forecast

YOUR FORECAST… from the Oracles and Ana Cortez

for the coming year of 2012

 
(as broadcast January 1st, 2012 on Transitions Radio of Santa Fe, NM)

 

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